Today I was just ambling along, on my usual afternoon walk around the neighborhood, when I spotted a glove in the road.
Its placement was a bit unusual, as it was not on the sidewalk but in the traffic lanes.
Today I was just ambling along, on my usual afternoon walk around the neighborhood, when I spotted a glove in the road.
Its placement was a bit unusual, as it was not on the sidewalk but in the traffic lanes.
Something just occurred to me. A question, rather. Humans are diurnal creatures -- we are evolved to be active by day and quiescent at night. But throughout most the evolutionary history of our species the hours of darkness weren't just about resting and sleeping; night was associated with the very real danger of being killed and eaten by night-prowling natural enemies, and the fear and sense of vulnerability it inspired. As a result modern man, even though he no longer need fear being attacked by wild beasts, still feels a vague, nameless atavistic fear of darkness and of the state of helplessness engendered by the loss of visual awareness in the dark.
It then naturally follows that animals that have evolved to be active at night and are able to see well in darkness, like owls, cats and tarsiers, would lack a fear of it (outside of the specific fear of predation that is, which anyway can happen in broad day as well). So does this mean that once technology has advanced to the point where our natural vision can be augmented or entirely replaced by perfect night vision, and we can see just as well in complete darkness as in daylight, we will no longer be afraid of the dark (although, I suppose by then darkness itself, at least in the physical sense, would logically have lost its meaning; so maybe that should be "afraid of '(supposedly)dark' places" instead), and as a result all the traditional stories of ghosts appearing at night and monsters in dark corners will have lost their power to frighten, and instead be relegated to a time in mankind's primitive past?
I felt like Mexican food for dinner, so I went out to pick up a few tacos. On the way I saw these paired trash bins with cute ears. One for ordinary refuse, the other for recyclables (the bins, not the ears^).
Or maybe they were meant to be protruding eyes, like the eyes of frogs and toads.
Then, on the way back after picking up the tacos I saw this Japanese izakaya with these vent pipes. Ordinarily I find them slightly sinister, like giant serpents waiting to gobble up pigeons, but paired up like this I found them rather humorous for some reason... even "cute".
No, this isn't another one of those Dead Bird (#1, #2, #3, #4) posts. I just happened to spot this stain on the sidewalk
and knew instantly what I had to do with it. I brought it home, did some simple basic edits -- and it was reborn as the fabled Phoenix, the immortal bird that, having reached the end of a five hundred-year cycle (sources may differ on this point), immolates itself in a pyre and then is reborn from the ashes, young and renewed, as the next generation of itself.
With a slight, interesting twist. Just now, I was re-reading the old post "My Ghostly Twin" while listening to the old Samantha Sang song "Emotion" (featuring the Bee Gees). Just as I read the phrase "no matter where I go", she sang "wherever you go", as if she were singing to me personally.
Today I waited until early evening to go to the market, to avoid the heat. It's only May but it's already getting uncomfortably warm in the midday hours. After a goodly walk in the sun I'm wont to come home with my shirt sticking to my back and my feet feeling like warm pickles inside the socks. So it was going to be a brief trip (the market is only two blocks down the street) in the fading sunlight, and I wasn't expecting to run across any photo-worthy sights; so imagine my surprise when I sighted a worm -- one of those extra-thick ones they've got here in Korea -- in the middle of the sidewalk.
I watched it for some moments to see if it was dead or had at least enough life left in it to be worth saving, and to my delight it moved -- but just barely. I really think it was on the border of death, as it didn't respond at all when I picked it up, but in any case I took out my knife, dug a hole in the verge and put the worm in it. I covered it up loosely with earth, feeling I was not sending it back to its native environment so much as I was giving it a burial.
Number of worms rescued: 80
Or "photo painting", if you prefer; although, having seen online a bunch of disparate images subsumed under that generic title, I really don't think anyone is thinking of images like this or those from any of my previous posts in this category when they use the term.
What the heck, we're barely halfway through May, and already the cicada nymphs are emerging in droves! Last year's cicada season only got a proper start well into June, to last through part of September. Are the global-warming alarmists right after all?
Here are some of the early risers I encountered today (maybe that should be "early climbers").
My interest in staircases is related to my fascination with old rundown buildings. If buildings connect "now" to "then", then staircases connect "here" to "there". As one is usually an essential part of the other, I guess you could say it's kind of like how space and time, once considered separate, are now combined into a single entity, spacetime.
I photographed a bunch of mannequins left abandoned in a store gone out of business. While editing the image I just happened to emphasize certain details reflected in the show window glass, and it all came out looking like a shot from some cyberpunk dystopian movie. Ghost in the Shell, anyone?
I like rooting around in decrepit, empty old buildings. It's pretty obvious if you check out this blog's posts from the last few years. I like the mystery, the shadows and history these old buildings possess. I don't touch anything, I just like to record the silent traces of the countless unknown events that must have transpired in them. The moment I step into one of them something changes. The outside noise somehow seems to get canceled out and I hear nothing but the sound of my own footsteps, which I consciously try to minimize so as not to disturb the atmosphere. And just in case some of the suites are still occupied, inhabited by stubborn last-straggler residents or workers who might resent an outsider with a camera recording what they considered their own domain.
I was glad, therefore, when I came upon a derelict, an actual condemned building in an area not far from my home. It had a sign affixed to it that warned against entering, as there were loose structures within and safety could not be guaranteed; however, there were no fences or tape physically barring entry, so of course I chose to enter (don't try this at home^).
I don't normally experience fear or anxiety when I explore these dingy spaces; the curiosity and excitement, the expectation of discovery are enough to override any feelings of discomfort that might arise.
But it's also true that I had never previously encountered an environment that was literally left to fall apart. Which this building was -- clearly, it had been slowly rotting away for years.